How to Create Cover Art that Appeals to Readers

 

It stands to reason that writers want to create an appealing cover that draws the eye. Cover art can make or break a book especially if the author isn’t well-known. What kind of front cover will grab the reader’s attention? What kind of cover art should a book display?  A lot depends on the genre of the book itself.

Here’s what I’ve discovered in researching this topic:

The cover should be appropriate to the type of book. A basic question to ask: is the book going to be sold on the shelf of a bookstore or is it going to be available only online? Is the novel going to be a hardcover, trade, paperback, e-book or audio—possibly all of these?

With hardcover fiction books, as with all others, the cover needs to fit the genre, be attractive, while the title should be easy to read and intriguing. Cover art needs to play fair with readers so that they don’t feel cheated when they select a book.

Paperbacks need simplicity in covers. The artwork should also support the title and the genre. E-book covers shouldn’t be too fussy or busy either. The old saying “less is more” works best for a book cover that’s displayed online. A short title with a large, easily readable font and bright contrasting colors shows up well on the computer screen. Avoid covers that are complicated and hard to read. Plain, simple graphics are preferable.

In summary:

What are the qualities of good cover art?

We can read the title and author and all subheadings with ease.

The image doesn't interfere with the written information.

 

The book cover is memorable: simple yet vivid and pleasing to the eye.

The theme is expressed by the image and in keeping with the genre of the book.

The bottom line for good book covers is that they make you want to read what's inside.

My editor at Luminosity informed me that

THE LOST LADY, my new novel, has gone live for pre-order on Amazon. Take a look at how it's presented! You can tell me what you think of the book cover. I would appreciate your thoughts.

 https://www.amazon.com/dp/B0DDH1K5F3/

 

How to Write Bestsellers in Mystery/Crime Fiction

 

Probably the best way to write a successful mystery/crime novel isn’t by looking to copy the latest trend which will be over by the time you can finish your new book anyway. The answer: write a quality book. You should look to write something unique that only you can create. Yet it must still fit the accepted expectations or norms of the genre. For instance, in my recent historical mystery HEART OF WISDOM published by Level Best Books, Part One is in the nature of an historical family saga, while Part Two brings the family into a murder mystery that must be solved.

Let’s explore the traditional mystery featuring a detective or several detectives who investigate a crime or series of crimes. The amateur sleuths can work in any number of unique and unusual professions which provide interesting background and setting for the story. They can live in any place in the world. They can be nosy spinsters who live in small English villages or gifted professors who investigate bizarre historical crimes, librarians or shop owners. From cozy to thriller, the amateur sleuth fascinates readers. 

The private detective novel is a mystery genre unto itself. In 1887, Sir Arthur Conan Doyle created Sherlock Holmes, the most famous of all fictional detectives. Sherlock Holmes was not the first fictional detective. However, his name is one we think of immediately. Conan Doyle stated that the character of Holmes was inspired by Dr. Joseph Bell, for whom Doyle had worked as a clerk at the Edinburgh Royal Infirmary. Like Holmes, Bell was noted for drawing large conclusions from small observations.  The quirky Holmes was renowned for his insights based on skillful use of observation, deduction and forensics to solve puzzling cases. Conan Doyle wrote four novels and fifty-six short stories featuring Holmes, and all but four stories are narrated by Holmes's friend, assistant, and biographer, Dr. John Watson. The Sherlock Holmes mystique is still celebrated today in books, short stories, films and television programs. Holmes, the “consulting detective,” still fascinates a modern audience of devotees. 

The Golden Age of Detective Fiction, the 1920’s and 30’s, brought many writers of detective stories to the forefront. British female authors like Agatha Christie are particularly memorable. Of the four "Queens of Crime" of that era: Christie, Dorothy Sayers, Ngaio Marsh and Margery Allingham, all were British except for Marsh who was a New Zealander. 

In the 1930’s, the hard-boiled private eye novels began to evolve with American writers. Over the years, many interesting writers have emerged in this genre. Dashiell Hammett, Raymond Chandler, Mickey Spillane, Ross Macdonald, and Robert Parker are just a few of the writers who still resonate with readers. P.I. detectives are tough guys dealing with seedy characters on the mean city streets, the so-called underbelly of society. They are professional detectives who live by a code of honor but rarely earn much for their efforts. They generally have antagonistic relationships with the police and, like the amateur detective, tend to be more intelligent than professional law enforcement counterparts. The P.I. novel was male-dominated until the late 1970’s and early 80’s when writers such as Sara Paretsky, Marcia Miller and Sue Grafton began creating women investigators who were as tough as men. These novels offered more in-depth characterization and, in the case of Paretsky, a social agenda.

The police procedural provides the reader with a different type of detective story. In reality, most crimes are investigated by police. This type of mystery stresses step-by-step procedures followed by professional detectives such as processing crime scenes to collect physical evidence, canvassing the area for witnesses or suspects, postmortem examination of bodies in the case of murders, identifying a victim if that is not known, and interviewing known friends, co-workers, relatives and associates. The list is often long and tedious. Not generally so in a novel. Although it is agreed that the police procedural should be accurate in portraying what law enforcement officers actually do, it is not necessary to bore readers to death. Like the P.I. novel, this is action-oriented genre fiction. While the plot may be the backbone of a police procedural as O’Neil De Noux, a longtime police officer and homicide detective, observed in an article written for The Writer (“How to Write the Police Procedural Novel,” October, 1992 issue), the novel won’t interest readers unless there are well-developed central characters-- witness the great success of Ed McBain's 87th precinct series in books, film and as a television series.  Much of the appeal of the novels rest with main character Steve Carella and his relationship with Teddy, his deaf-mute wife, as well as his interaction with fellow police detectives such as Meyer. 

Distinctive places also add interest to the modern police procedural. For example, moody Scandinavian settings have provided bleak backgrounds for the investigations of Inspector Martin Beck (Sjöwall and Wahlöö in the 1960’s) or Wallander  (Henning Mankell) and more recently Inspector Tell (Camilla Cedar). 

Patricia Cornwell’s novels long graced the bestseller lists. Her Dr. Kay Scarpetta forensic pathologist crime novels are strongly associated with her own career. Cornwell describes herself as having been a crime reporter. The character of Dr. Scarpetta appears to have been initially inspired by an interview she had with a female medical examiner. She went to work for the medical examiners and eventually became their computer analyst. Her opinion: stories that lack credibility and authenticity will be unread (The Writer, December 1991, p. 18-20). 

P. D. James is another author of police procedurals we can describe as the real deal. James held a position as a senior employee in the Criminal Policy Department in England. Joseph Wambaugh has given us some memorable characters who happen to be police officers based on his personal experience and knowledge.  

Cross genre fiction combining elements of romance, the paranormal, and suspense with mystery have become more common in today’s crime fiction. I believe this less traditional approach is becoming a trend in modern mystery fiction. The historical mystery is also increasing in popularity. The traditional lines are blurring, and authors are experimenting with a greater variety of style and technique in a genre that is now more dynamic, fluid and exciting. What does remain is the need for a well-developed plot, well-rounded and well-defined characters, and a distinctive setting.

In January 2025, Luminosity will publish my historical romantic suspense mystery THE LOST LADY. Set in the Regency era, it combines elements of the murder mystery with characters who are themselves mysterious and yes, there is romance as well.

What trends will the future of mystery/crime fiction hold for readers and writers alike? It remains to be seen.

 Your thoughts and opinions most welcome.

 

Summer Reading 2024

It’s that time of year again when every magazine, newspaper and newsletter offer suggestions on summer reading. So why should this blog be any different?

Summer is the perfect time to spend some time vacationing or just relaxing. Sit in the sun, lie on a chaise poolside, rest by the ocean or a lake, or under the shade of a tree, sip a cool drink, and read a book—hard cover, soft cover, audio or digital. 

Mysteries remain one of the most popular genres for summer reading. Why? Because they entertain us. They also engage our intellect in a satisfying manner. Romances provide us with a happy ever after ending, good escape reading. If you like reading for enjoyment, it’s the way to go. I just finished reading A PERILOUS PAL by Laura Bradford and I enjoyed it very much. This is a second novel in what may become a series.

I’ve also continued to read a lot of Regency fiction. Just to mention, Luminosity has published my backlist Regency title TEA LEAVES AND TAROT CARDS and just contracted with me for my new Regency novel THE LOST LADY. It continues where the first book left off. 

Lots of good summer reading on the bestseller list. However, there are excellent authors who write for small independent presses and provide us with quality fiction but don’t get as much publicity because they are not with the big publishers.

If you enjoy historical romance, I suggest my novels:

SINFUL SEDUCTION from Luminosity, set during the American Revolution, or HIGHLAND HEART, historical romance set in England and the Scottish Highlands in 1745 at the time of the second Jacobite Rebellion. Luminosity  also published my Western novel THE KILLING LAND month.

What are you reading? You are also most welcome to recommend your own books so others will become aware of them!

 

 

 

How Character and Conflict Interact in Fiction

 

To write the kind of fiction readers can’t or won’t put down it’s necessary to create compelling conflict. Perfection is boring. So is a dull life. The writer should consider creating a character whose life seems to be going along beautifully until things twist around. Example: a successful executive is suddenly fired. A talented surgeon is involved in an accident losing the use of a hand.

In my historical mystery novel HEART OF WISDOM, Sora in the second part of the novel struggles to clear her husband of murder charges, placing her own life in jeopardy.

A writer needs to set up values and goals unique to the character/protagonist. The plot must fit the character. Which should come first? Plot or character? Either one. They just have to work well together. Plots have a chain of cause and effect relationships, not just what happens, which is the story, but why things happen the way they do. Clearly, this brings character into play. It is important to initially define the main characters--what they want, what motivates and drives their needs.

I try to start a book or story in medias res, beginning in the middle of a scene of some significance. Something important should be happening. Dialogue and action are crucial. I don’t want a static beginning. 

I suggest the writer intrigues the reader by starting with some form of mystery. Make readers curious from the first and then keep them guessing. 

Think of the middle of the novel as rising action (Aristotle’s words). What happens grows organically from what occurs in the beginning. The protagonist runs into difficulties, obstacles that can’t easily be solved. Don’t slow the pace. Keep the tension building. Increase the danger and/or the obstacles. This goes for any genre of fiction whether it is romance, sci-fi, mystery, literary etc.

Comments welcome.

Luck in Literature

 

The Ides of March, the 15^th and 16^th of this month, traditionally bode bad luck. For instance, in Shakespeare’s Julius Caesar, the emperor is warned to “Beware the Ides of March” by the Soothsayer. Julius, not being a superstitious sort of fellow and believing in his personal immortality, sneers, ignores the warning, and refers to the Soothsayer as “a dreamer.” (Not Caesar’s wisest decision).

 This Sunday is St. Patrick’s Day which supposedly brings good luck and fortune. Luck is a reoccurring theme in Irish literature. People do at times have lucky things happen to them and at other times suffer misfortunes like ill health, accidents or assaults. But authors prefer to believe that for the most part we make our own luck. 

According to Napoleon: “Luck occurs when preparation meets opportunity.” I apply that statement to authors. We get lucky with our work when we’ve done adequate preparation—that is being well-read, writing, rewriting, and editing until we’ve created something of value and quality. If we’re too lazy or too full of ourselves to make this kind of effort and commitment, then alas we’ll never “get lucky.”

Luck is a common theme in literature. For example, Thomas Hardy created characters that were unlucky like Tess or Jude. Yet it could be argued that their bad luck came as a direct result of fatal flaws in their own characters. This is where Greek tragedy derives from. Things don’t just happen. There is a cause-and-effect relationship. Victorian writers used coincidence commonly in their plot lines, something modern writers try to avoid. 

I write about and admire main characters with positive values who make their own good luck and overcome obstacles through personal effort, not bemoaning their fate or bad luck. To quote Shakespeare’s Julius Caesar again, as Cassius observes: “Our fate, dear Brutus, is not in our stars but in ourselves.”

In tribute to Irish literature which as observed often deals with themes related to luck, I want to mention a few of the outstanding Irish writers I’ve appreciated over the years. 

As an undergraduate English major, I read and enjoyed John Millington Synge’s The Playboy of the Western World. Synge celebrated the lyrical speech of the Irish in a boisterous play.

In graduate school, I took a semester seminar on the works of William Butler Yeats, a great Irish poet. I learned a great deal about Irish mythology from his work.

George Bernard Shaw was also of Irish origins and a great playwright, another favorite of mine. His plays still hold up because of thought-provoking themes and clever dialogue.

I’ve read James Joyce’s stories and novels but most appreciated his earlier work. I thought Portrait of the Artist was brilliant as was Dubliners, his short story collection. His style was original and unique.

Satirist Jonathan Swift is often thought of as a children’s writer, but this is, of course, false.

Notable Works: Gulliver’s Travels, Tale of a Tub, A Modest Proposal, A Journal to Stella, Drapier’s Letters, An Argument Against Abolishing Christianity, Verses on the Death of Dr. Swift.

Oscar Wilde was a talented Irish writer and playwright. Sentenced to two years in prison for gross indecency (homosexuality), he eventually lost his creative spark. Notable Works: The Picture of Dorian Grey, The Importance of Being Earnest (play), Poems, The Happy Prince and Other Tales (children’s book), A Woman of No Importance (play).

Abraham Stoker (Bram Stoker) gave us Dracula (enough said!) Lawrence Sterne, Oliver Goldsmith, C.S. Lewis all had Irish origins as well, although they left Ireland for England. The list of outstanding Irish men and women who have provided great literature is very long and therefore beyond the scope of this mere blog.

Do you believe in luck? Is it a factor in what you’ve read or written? Do you have any favorite Irish authors you want to mention? 

Your thoughts and comments welcome!

 

Why Regency Novels Continue to Fascinate Readers

 

In honor of February, the month of Valentine’s Day, I decided to dedicate my current blog to romance fiction.

 

I find Regency novels particularly fascinating.  I’ve read hundreds of novels in the genre. In this regard, I am like many other devoted readers. Regency romance has endured for a long time, and I believe will continue to be popular.  For example, the Bridgerton romance series on Netflix has drawn a vast audience. Bridgerton, based on a series of eight novel written by Julia Quinn and adapted for Netflix, has proven to have strong appeal.

  For those who are not familiar with Regency, let’s define it.  When we talk about the Regency era, we mean the brief period lasting between 1811-1820 in England. However, for the sake of the novels, the era begins at the tail end of the Georgian period in about 1800. It includes the scope of the French Revolution and the Napoleonic Wars in Europe, a period of turmoil, social unrest and political revolution.

 The novels of Jane Austen set in that era have caught the imagination of both readers and writers for centuries.  Her Regency romances like PRIDE AND PREJUDICE entertain because they rely heavily on character and the humor of human foibles. A much later author, Georgette Heyer, was one of the writers who created her own novels set in the Regency era. These romances have also influenced many readers and writers. Her novels even introduced their own unique vocabulary.

Some of the outstanding modern writers of this genre are Mary Jo Putney, Jane Ashford and Mary Balogh, each known for depth of characterization. Modern day Regency romance is longer and more sensual than the earlier novels. 

Today’s Regency romance fans are often very particular about historical references. They want complete accuracy in such matters as clothing, dialog, mores of the social scene and conventions of the era. To this effect, I did extensive research, reading and collecting numerous histories of this era as well as biographies of people who lived in those times before I wrote my own sensual Regency romance TEA LEAVES AND TAROT CARDS. For example, Mr. Brockton who is my heroine’s benefactor runs a posh gaming establishment where many thousands of pounds exchange hands each night. It is frequented by the cream of the ton. His character is based on an actual person who went from fish monger to millionaire and then lost it all again. At the time I initially wrote TEA LEAVES AND TAROT CARDS, I was working as a librarian with access to a multitude of reference sources. My research proved both enjoyable and relatively easy.  Now the internet offers so much valuable information on the Regency era which makes research more convenient.

The latest edition of TEA LEAVES AND TAROT CARDS is available in all e-book formats and paperback as well. You’ll find this romance novel and others I’ve written on the Luminosity website:

https://luminositypublishing.com/en/book/tea-leaves-and-tarot-cards/

Here are some snippets from the book reviews:

"Jacqueline Seewald's Tea Leaves and Tarot Cards delivers an unusual and intriguing heroine together with fast-paced historical romantic-suspense. Seewald is very much at home in her early 19th century setting."  - Jayne Ann Krentz (Amanda Quick)

“TEA LEAVES AND TAROT CARDS is rich in secondary characters across the spectrum of society...TEA LEAVES AND TAROT CARDS has a lot to offer with its original characters and imaginative plot.” - Romance Reviews Today

“It is clear that Seewald's goal is to offer a deeply felt, emotional romance.” - Library Journal

“This is a delightful lighthearted regency frolic.” - Genre Go Round Reviews

Currently, I am hard at work on the sequel to this novel entitled THE LOST LADY. 

Do you read romance? Why or why not? Do you prefer fiction or nonfiction?

 

 

How and Where to Get Your Novel Published

 

First, write your novel. Let the words and ideas flow through to completion.

Second, forget your novel for at least a month. Work on other things.

Third, put on your editor’s eyes and reread your work. Consider: is your book too short? Usually, 60,000 words is novel length. Is your novel the length of WAR AND PEACE? Publishers aren’t looking for one volume epics either. 

When I finish writing a piece, I always think it’s great. When I read it with fresh eyes, I’m amazed to find mistakes. I don’t mean grammar or spelling since I was an English teacher for many years. I mean things like telling instead of showing or using too many adjectives or adverbs or exclamation points. These are mistakes that will mark you as an amateur. 

All right, let’s assume you’ve finished your novel and you believe it’s to die for, with fully developed characters and a unique plot. You’ve written a solid synopsis and query letter.

Where to from here?

Time to check out one of two things:  literary agents and/or publishers who accept novels like yours with no agent. Do your research. 

You can do a lot of this online. Also, use publications such as WRITER’S MARKET or THE WRITER’S HANDBOOK. You can read them at your local library or buy your own.

You can also join writers’ organizations. You’ll get help and you won’t be alone. You can attend conferences which will provide further entrée.

Is it easy to get a novel published?  Not particularly. But you can very likely get a start with e-books if you’re a beginner. Personally, I believe you should aim higher. I am not a fan of self-publishing unless you are willing to invest a lot of money, time and effort into internet publicity. I also believe you should avoid vanity presses. You should never pay to have your work published. Money must flow to the author not from him/her.

Many agents are looking for new writers who offer a fresh perspective. Why can’t that be you? Also, some publishers are still open to submission from new writers who don’t have agents. Check them out as well. Investigate that they are legitimate and not scammers. Then send out your query letters.

To get you started, check out:

Publishing ... and Other Forms of Insanity (publishedtodeath.blogspot.com)

This site is excellent for providing current information from agents and publishers. You need to see which of them will be a good fit for your work. For example, if you write adult romance, you shouldn’t query a children’s books publisher since that would be a waste of time and effort.

My latest novel, my 21^st from a reputable publisher, is a combination of mystery and history. HEART OF WISDOM was published by Level Best Books—which does not require agent submission: 

Give it your best shot, and don’t get discouraged by rejections. We all get them! As for me, I’m working on a new novel

Best of luck with your writing!