The Ides of March, the 15th and 16th of this month, traditionally bode bad luck. For instance, in Shakespeare’s Julius Caesar, the emperor is warned to “Beware the Ides of March” by the Soothsayer. Julius, not being a superstitious sort of fellow and believing in his personal immortality, sneers, ignores the warning, and refers to the Soothsayer as “a dreamer.” (Not Caesar’s wisest decision).
This Sunday is St. Patrick’s Day which supposedly brings good luck and fortune. Luck is a reoccurring theme in Irish literature. People do at times have lucky things happen to them and at other times suffer misfortunes like ill health, accidents or assaults. But authors prefer to believe that for the most part we make our own luck.
According to Napoleon: “Luck occurs when preparation meets opportunity.” I apply that statement to authors. We get lucky with our work when we’ve done adequate preparation—that is being well-read, writing, rewriting, and editing until we’ve created something of value and quality. If we’re too lazy or too full of ourselves to make this kind of effort and commitment, then alas we’ll never “get lucky.”
Luck is a common theme in literature. For example, Thomas Hardy created characters that were unlucky like Tess or Jude. Yet it could be argued that their bad luck came as a direct result of fatal flaws in their own characters. This is where Greek tragedy derives from. Things don’t just happen. There is a cause-and-effect relationship. Victorian writers used coincidence commonly in their plot lines, something modern writers try to avoid.
I write about and admire main characters with positive values who make their own good luck and overcome obstacles through personal effort, not bemoaning their fate or bad luck. To quote Shakespeare’s Julius Caesar again, as Cassius observes: “Our fate, dear Brutus, is not in our stars but in ourselves.”
In tribute to Irish literature which as observed often deals with themes related to luck, I want to mention a few of the outstanding Irish writers I’ve appreciated over the years.
As an undergraduate English major, I read and enjoyed John Millington Synge’s The Playboy of the Western World. Synge celebrated the lyrical speech of the Irish in a boisterous play.
In graduate school, I took a semester seminar on the works of William Butler Yeats, a great Irish poet. I learned a great deal about Irish mythology from his work.
George Bernard Shaw was also of Irish origins and a great playwright, another favorite of mine. His plays still hold up because of thought-provoking themes and clever dialogue.
I’ve read James Joyce’s stories and novels but most appreciated his earlier work. I thought Portrait of the Artist was brilliant as was Dubliners, his short story collection. His style was original and unique.
Satirist
Jonathan Swift is often thought of as a children’s writer, but this is, of
course, false.
Notable Works: Gulliver’s Travels, Tale of a Tub,
A Modest Proposal, A Journal to Stella, Drapier’s Letters, An Argument Against
Abolishing Christianity, Verses on the Death of Dr. Swift.
Oscar Wilde was a talented Irish writer and playwright. Sentenced to
two years in prison for gross indecency (homosexuality), he eventually lost his
creative spark. Notable Works: The
Picture of Dorian Grey, The Importance of Being Earnest (play), Poems, The
Happy Prince and Other Tales (children’s book), A Woman of No Importance (play).
Abraham Stoker (Bram Stoker) gave us Dracula (enough said!) Lawrence
Sterne, Oliver Goldsmith, C.S. Lewis all had Irish origins as well, although
they left
Do you believe in luck? Is it a factor in what you’ve read or written? Do you have any favorite Irish authors you want to mention?
Your thoughts
and comments welcome!
