Wednesday, March 14, 2018

Point of View: Finding Your Voice

I often see the comment from agents that they are looking for writers who have a “unique voice”. Therefore, simply develop an original voice. Right? But what exactly does that entail? First, we must decide who is telling the story. The point of view of the main character or characters has everything to do with voice. It’s not your personal voice but that of the character in your story.

For instance, this is one of the most important things in writing a successful young adult novel. It does not mean that you must write only from a first person point of view. However, teenage readers often respond well to a first person narrative. But voice has to do with choice of vocabulary and style as well. For instance, my YA novels, STACY’S SONG and THE DEVIL AND DANNA WEBSTER, are written in the first person from the main character’s point of view. Stacy has a sense of humor while Danna is sensitive and artistic. These things influence how they tell their stories. It often helps to read your writing out loud.

With traditional romance, there are generally two viewpoints that move from female to male, usually written in the third person. They need to be distinctive from each other even in third person POV.

 Mystery varies more. Often these days, the first person viewpoint is either the unreliable narrator who may not be telling the truth for a variety of reasons. Most common is the third person narration. This has the advantage of varying point of view with ease. But multiple viewpoints have one important disadvantage: they may cause the story to lose focus if mishandled.

Sometimes authors have multiple first person POV while others will use multiple third person. But changing viewpoints too often can confuse readers causing them to reject the book. Readers need to respond with a sense of connection to at least one character. So that character must seem real and matter to the reader on some level. When the POV of a key character resonates with the reader, what happens to that character is something the reader wants and needs to know.

In the 19th century, omniscient narration was popular. The all-knowing third person narrator informed the reader. Occasionally, writers will still use second person narration as well, addressing the reader directly using “you” and “your”. We don’t see much of either one of these in modern writing.

Cross genre novels can be tricky. My latest, DEATH PROMISE, is a romantic suspense mystery thriller. The novel is mainly presented from the POV of the two main characters who balance each other. Did I manage it effectively? If you read the novel, let me know what you think. I’d love your input and feedback.


In regard to short story fiction, editors tend to prefer one POV. Multiple viewpoints don’t work well because of limited length. The short story works best with a single focus.

To sum up, POV has the reader see and hear things from the unique perspective of the characters in a story. That is why you always have to consider the style and vocabulary each narrator presents if you want to create the semblance of reality, verisimilitude, in your work.

Your thoughts and comments, as always, welcome here.